Category Archives: Art

Whitman Wednesday

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whitmanwed

Feel free to play!!!  Most of the images I use are taken with my phone and edited in an app called Pixlr.  Upload to Twitter and/or Instagram with the hashtag #whitmanwednesday.

Use the project in your classroom to show your students how to connect words and images in meaningful ways. Talk about why the images they choose work with the words they’ve selected. Talk about color and line and vision. There is always room for art in English Language Arts (or any other subject, for that matter).

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The Leftovers

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At a recent event I had the joy of reintroducing Kindergarten activities to a group of educators. It was a simple project, really. With magazines, calendars, and books (yes, BOOKS) in hand, these very serious adults took on the task of cutting and ripping and tearing pieces in order to create a new piece of artwork. The fancy term, of course, is remix. It is a buzzword of this digital literacy age we’re in, and really an important way of thinking critically and imaginatively. Dr. Donna Alvermann and UGA doctoral candidate Crystal Beach set the stage for this particular presentation two years ago with their Becoming 3lectric project that set out to study remix in the digital space. The three of us collaborated on this event and presented together.

The energy in the room resonated with laughter and chatter – just as it should for a group of adults exploring their inner children. They shared their creations and admired each others’ work and the stories that accompanied them.

At the end of the session one participant struggled with how to connect everything together in her own mind relating to her students, her classes, and her own realities. She enjoyed the project itself because it was a fun release in an information heavy conference, but the rationale for its importance eluded her. In her attempt to make me understand, she pointed to the discarded remnants of the pages she didn’t use and said, “But what about the leftovers?”

The leftovers. I was in the process of cleaning the room for the next session coming in, but her question stopped me cold. Maybe it was the moment, but I suddenly thought, not so much about the leftover materials, but about the leftovers. The materials, after all, were outdated and used things that were already bound for the refuse bin, so the paper scraps and bits were not the actual issue, at least not in my mind.

No, what struck me was that, in my enthusiasm for a hands-on fun learning experience, I neglected to fully engage a whole segment of the audience: those who are uncomfortable with the messiness of learning unless they understand the rational behind it. Most people are game to try new things if they know why it matters. Some people don’t need to know why before they jump in with total abandon. And others, like myself, enjoy the process of constructing meaning from the exercise that makes sense with our own points of view. Most of the people who chose to attend this session fit one of these three categories, but there was a under-represented fourth group that deserved a better answer that I was unprepared to give.Virtureal

So, why do this project and how does it fit into the real world of the English Language Arts classroom?  I think one reason is the connections we make between others who wander the planet with us. When we remix work done by others into something new, we insert our lives into theirs and we become co-constructors of meaning and relationship even though the players may never meet.

What do we know based on this interaction? Maybe knowing is in the experience of mingling our thoughts with the ideas of others. Dewey wrote about the experimental practice of knowing and certainly remix is active experiment. What do we learn about ourselves, our identities, and maybe our insecurities through a process of remix? Are we making a statement that perhaps our version of other people’s work is superior? Or do we unveil our own uncertainties about our own contributions to the dialogue around us?

This is a discussion worth having, particularly as paradigms about education and knowing shift under our feet. Once education focused on survival skills and community support. It was practical, ensuring students could read and write enough to be considered literate, and to be able to function sufficiently in mathematics to be a contributor to a local economy. More recently the standardized multiple choice test became the dominant measure of knowing something.  This policy, long criticized by classroom teachers, now faces refinement and no one is quite sure yet what the next step will look like. But educators still hold to the heart of their passion: teaching students, not to take tests, but to survive and thrive in a rapidly changing world. Remix may not change the world, but it can change a child in a classroom who is given the freedom and opportunity to explore him/herself by interacting with the words and art of those who have gone before.

And that’s why it matters. Not just because it’s fun, but because the opportunity for reflection and connection creates meaning between generations and people and cultures. Because, while there may be students who know who they are and don’t mind messy exploration, there are others who identify more with the leftover scraps than the whole pieces. I created this piece with the same scraps that had so bewildered our participant.  The purpose may not always be obvious, but it is present.

There are no leftovers; only beauty waiting to be discovered.

There are no leftovers; only beauty waiting to be discovered.

 

 

 

 

 

References

Dewey, J. (1984). The play of ideas. In J.A. Boydston (Ed.), John Dewey, the later works. Volume 4: 1929,  The quest for certainty. Carbondale and Edwardsville, IL: Southern Illinois University Press.

Ganzel, B. (2007).  Education in rural America. Retrieved from http://www.livinghistoryfarm.org/farminginthe50s/life_12.html

 

 

 

 

 

Wasteland

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This image has been sitting in this draft for months, so long that I don’t remember the original purpose. I think it had to do with a #clmooc challenge over the summer, but I can’t be sure. Still, it is a powerful image that I can’t bring myself to delete, so it must be something to explore.

Fig.1 Drawing by Belgian artist Yslaire

I titled this post Wasteland when I put the image in place; perhaps it is the title of the piece, perhaps just my impression, but when I look at it my mind goes to the cruellest month  underscored by the organ and guitars of Baba O’Riley. The image, I am certain, refers to neither of these, but in my mind they are inexorably connected.

Wasteland is a place beyond hope. A place where there is no escape from monotony and tedium. In this image, the television screen acts as hypnotist, so mesmerizing the viewer that he forgets he is a winged creature, made to soar.

 

And the dead tree gives no shelter, the cricket no relief,
And the dry stone no sound of water. Only
There is shadow under this red rock,

http://www.bartleby.com/201/1.html

We too often allow life to put blinders on us. Even if we resist the allure of the screen (be it television, computer, or smart phone), we manage to stay in the parched shadow of the red rock, afraid to venture out into the unfamiliar until we, too, forget we have wings to fly on the fresh winds  of the exodus from the wasteland to the promised land.

You can go your own way, but…

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There is always one.

One student who pushes back against anything new. Another one who just wants to “do school” and get it over with.  Still another one who has no interest in my beloved ELA content.

Short of calling in my friend’s herding dog, how can I engage those students who want to go their own ways?

I believe the best way to engage students in through story. Not necessarily writing fiction, but living and sharing their own personal stories through the literature we read, the current events we address, and the multiple modes we employ.

Every student has a unique story, and the ELA classroom is the ideal laboratory for exploring identity as it is revealed by story and how that connects to the greater world, both present and past. It’s why I love teaching Frankenstein. The opportunity to connect science, ethics, and philosophy captures almost every student. Their opinions come from their own backgrounds, and the deeper we get into the book, the more they begin to see that literature has teeth and allows multiple interpretations. (I’m thinking I may put Waiting for Barbarians with Frankenstein for my AP class. Ask the question: who are the real barbarians and who is the true monster? That could be fun.)

Over the next few months I intend to ponder the power of story and how to tell each one. Language and story are inter-related, but how does one influence the other? What is the best way to herd wayward students into the fold of critical thinking and effective communication?

The story shall unfold.

(Thanks for Simon Ensor and Steve Wheeler for the #blimage challenge.)

A Tanka Poem about My Daydream

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Tanka-Sea-Hammock

Deanna DeBrine Mascle introduced me to e new form of poetry: Tanka. It is a Japanese tradition, much like Haiku, but slightly longer. Instead of Haiku’s 5,7,5 syllable pattern Tanka contains 5,7,5,7,7 syllable lines. Thematically, Tanka is like Haiku: nature, emotion, and love. I’ve always struggled with Haiku, but this form seems more approachable to me, perhaps because it is longer. I don’t  know for sure, but my Intro to Comp students will play with this form during our poetry unit next Spring.

May I go back to the beach, now?

Art to Writing System: #clmooc Make 4

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I tried to create an image that reflects my concept of reading to art to writing. I have one unit in my World Lit course that covers Eastern philosophy based on a book, Watching the Tree by Adeleine Yen Mah. I tend to stay true to Socratic dialogue in my classes, so my lessons are based on questions. This particular book lends itself to an art project, and I introduced students to the art of altered books. I cover the first chapters, but then I set students free to explore the rest. They choose a chapter and take themselves on a systematic journey to discover and share the lessons they learn. The final projects are often brilliant and imaginative, even from students who didn’t consider themselves at all artistic before the project began. Although they complain, at the end of the year, most students consider this their favorite unit of the year.

Systems-clmooc4

As a mixed media artist, I was able to participate in Reversing Vandalisma project with the San Francisco Public Library after a number of books were vandalized. Instead of throwing the books away, the library chose to send the destroyed property to artists around the world who transformed the books into art for display. That experience inspired me to incorporate altered books into my teaching of high school students.

A couple of helpful websites about Altered Books: Altered Book, The Art of Happiness, Go Make Something, Lisa Vollrath, and Tim Holtz